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the exact date of the origin of weaving of rugs is not known but it is estimated that weaving as we know it today evolved in egypt and central asia around second millennium b.c. the earliest known pile rug was found in a scythian burial site in outer mongolia and has been dated back to the fifth century b.c. by this time, the art of rug making had already attained a highly skillful level. oriental rugs are frequently depicted in icons and paintings of both the western world as well as the oriental miniatures.
the art of oriental rug making reached its pinnacle under the safavid empire of central asia in the 17th century, from where these reached to europe via the silk route and newly discovered sea trading routes. these rugs were greatly prized by the rich and the aristocrats, who were the ones who could afford them, usually as hangings and table covers. with the rise of the middle class with the industrial revolution, the oriental rugs reached the common masses of europe and america by the mid 19th century leading to a renewed interest in the oriental rugs.
in this century the needs of the foreign buyer have become a big influence on the rug industry in the near east with most oriental rugs now being woven in commercial establishment of factory proportions

perhaps the only thing that all real oriental rugs have in common is that they are woven by hand. oriental pile rugs are constructed by first stringing warp threads, which will run the length of the finished rug, onto a loom. weavers often choose cotton for the warps, particularly for larger carpets; because it stretches less than wool, cotton can be strung on the loom more easily and evenly. some areas traditionally use wool to produce their warps, however, which is generally satisfactory. the number of warps per inch of width largely determines the fineness of the rug. the rug is started by passing wefts through the warps to produce a grid-like fabric called a flat weave that stabilizes the end of the rug. the weavers create the pile of the rug by tying pile knots around adjacent pairs of warp threads across the width of the rug.

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local custom determines which type of knot weavers use, as there is no great advantage of one over the other. for example, many areas in iran actually use the symmetric (turkish) knot. when trimmed, the ends of the knots become the pile of the rug. the design of the rug is produced by using different yarn colors to tie pile knots. after the weavers tie a row of knots across the width of the rug, they pass 1 to 3 weft threads of cotton or wool between the warps, then pound them down to secure the knots in place. above these knots, they tie another row of knots; then more wefts, more knots, and so on until the rug is completed. together, the warp and weft threads form a grid which serves as the foundation of the rug. a selvage constructed along each side, usually by wrapping a bundle of warp threads with constructed along each side, usually by wrapping a bundle of warp threads with wool or cotton yarn. a narrow band composed of only warp and weft threads is often woven at the ends of the rug to anchor the knots. the weavers then take the rug off the loom and finish it by knotting or weaving the warp ends together to prevent it from unraveling. the loose ends of the warps become the fringe.

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the condition of an oriental rug is a critical factor when evaluating it. is the rug worn or torn? has it been damaged by stain, damp, moth or mildew? has it been repaired, and how skillfully? the colors of an oriental rug should be bright or faded with age, the pile should be in good condition and the fringe, ends and the edges in good state of repair.
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the availability, or rather the lack of availability of similar types, formats, design and weaving-styles of certain rugs increase their desirability as collectibles. usually, the value of rugs in terms of how well they represent the cultural traditions of the countries where they were woven is also an important factor. too often, rugs are are now made according to dictates of the fashions or the current fads in the market rather than the true traditions of rug-weaving societies. many collectors of oriental rugs tend to avoid the commercial aspect of many fine oriental rugs. but, in the end, the collectibles. of an oriental rug, for the lack of common consensus on this issue, still depends largely on the buyer's individual preference

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